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BA (Hons) Creative Writing and English

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Codes:

College C58

UCAS W800

Course Length:

3 Years Full Time

Entry Requirements and Fees

2020/21 UK fee: £9,250

2020/21 International fee: £13,500

For further details about fees, please see our Tuition Fee page.

Typical Offer (individual offers may vary):

A levels (or combination with AS / E.P. / BTEC): 96 to 120 UCAS Tariff Points, including English Literature, English Language, English Language and Literature, Creative Writing or Drama at grade B or C.

Access to HE Diploma: Pass with 12 level 3 credits worth of English units at Merit

International Baccalaureate: 28 points with English Higher at 4.

IELTS 6.0 overall with no element lower than 5.5

 

Alumni receive a 15% discount on postgraduate courses at Chichester.

Postgraduate study options available at Chichester include PGCE and Masters. 

Student view

Abigail Alder
There were many things I loved about the University of Chichester, but mainly the person I became and about how happy the place made me. It was a second home for me.
Julia Shorrock
BA in Creative Writing and English

"As a mature student, I found doing a BA in Creative Writing and English liberating. Every module was informative and enhanced my writing skills. Lecturers are knowledgeable, engaging and above all supportive. As a student representative, I witnessed the university’s commitment to improving students’ experience by responding to student feedback. The University of Chichester is a welcoming community where I established long-lasting friendships. Through classroom discussions and workshops, I developed self-confidence both as a writer and as a member of this community."

Course content

The University of Chichester boasts one of the most experienced Creative Writing teams in the UK. You’ll work with highly qualified and experienced tutors, all of whom are practising and published poets, short story writers, novelists, dramatists and screen and TV writers. Your English courses will be taught be experienced tutors, a number of whom are world leaders in their own fields. Research underlies our teaching so that you will have access to up-to-date debates in literature, drama and language studies

In your first year, you will take a combination of creative and critical modules. You will be introduced to the writing process through modules which help you develop a notebook, tap your own experience and engage with the wider world for material. You will also begin to learn the craft of Poetry and Prose. You will also take a number of critical modules which will include Literary History (C19th and C20th) and Literary Theory.

In year two, you will deepen your practice of creative writing and have a choice of Poetry, Short Fiction, Life Writing, Writing for Children or Dramatic Writing. On the critical side, you will take modules in Literary History (the Renaissance to the Romantics) and Genre Poetry and Prose Fiction.

By year three, we feel you will know what you want to specialise in. Creative writing modules include Writing the Novel, Writing the Short Story, Screenwriting, Advanced Poetry, Writing for Children, Writing Fantasy and Science Fiction, YA Fiction, Flash Fiction, Digital Writing and Writing Place and Environment. While publishing is a consistent element throughout the degree, in year three there is a designated module in Publishing, Production and Performance. Critical modules include Psychoanalysis and Culture, Fantasy Literature, Fairy Tales, Professional Writing, Twentieth and Twenty First Century Literature and The Ethics of Reading. We also run a Work Placement module.

The University has a burgeoning writing culture, from regular book launches to conferences and events with creative writers. Some renowned authors to have visited the University in recent years include:

o   Poet Laureate Carol Ann Duffy

o   Matthew Sweeney

o   Helen Dunmore

o   Jo Shapcott

o   Sarah Hall

o   Bernardine Evaristo

o   Vicki Feaver

Our facilities

Over the past few years, we’ve redeveloped both of our campuses so that you have the best facilities available for your degree. We pride ourselves on the quality of the learning environment we can offer our students.

At the Bishop Otter campus there is an integrated approach to the provision of learning resources and support.  We offer a substantial collection of books, journals and other materials to help you further your research. A range of study areas for group and quiet study including Wi-Fi areas for laptop use are available, or you can use our open access PC and Mac areas.  We use an electronic learning environment with an expanding portfolio of online library resources from anywhere at any time.

The Learning Resource is the hub of the learning environment.  It has two upper floors of library resources, one for silent study and one for quiet study, both of which have recently been refurbished. On the ground floor, you’ll find the Support and Information Zone, Media Centre, Otter Gallery, Costa Coffee and a variety of IT resources.

The Bishop Otter LRC also offers:

  • 130 open access PC workstations
  • 45 Apple iMacs
  • Ample printing facilities
  • Netbooks available on loan
  • Professional editing suites
  • Media loans counter
  • Wi-Fi and plug points throughout

Where this can take you

Many of our students publish and win prizes. In recent years students have gone on to publish novels, poetry collections, win prizes in major competitions such as the Bridport Prize and have poems and stories in magazines such as The Paris Review and Staple.

Students have also had work broadcast on BBC Radio 4.

Graduates from this subject area are highly valued by employers for their problem solving and exceptional communication skills.

As well as or in addition to writing, careers paths include:

  • Teaching (after taking a PGCE)
  • Teaching English as a foreign language
  • Publishing
  • Journalism
  • Arts event management
  • University administration
  • Heritage and tourism
  • Accountancy
  • Working with charities
  • Writing
  • Graphic design

Jobs directly related to your degree:

  • Publishing - editorial assistants help senior editorial staff in the administration of the commissioning, planning and production of books, journals and magazines. This role is a recognised starting point for editorial and publishing careers.
  • Writer - involved in the creation and/or development of all types of creative writing, including prose, poetry and material for the theatre, screen and radio and reviews.
  • Primary school teacher - teaches primary-aged children and develops schemes of work and lesson plans in line with curriculum objectives.
  • Secondary school teacher - teaches one or more national curriculum subjects to pupils aged 11-16, or up to 19 in schools with sixth forms.
  • English as a foreign language teacher - teaches English, either in the UK or overseas, to students whose first or main language is not English.
  • Lexicographer - writes, compiles and edits dictionaries. Monitors and records uses of language and uses databases to interrogate a wide range of evidence. Considers both the meaning and usages of words and compiles definitions in a structured manner.

Jobs where your degree would be useful:

  • Newspaper journalist - researches and writes stories for publication in local, regional and national press
  • Advertising account executive - works in advertising or multi-service agencies, acting as a link between the clients and the agency. Has overall responsibility for the smooth running of a campaign, coordinating the activities of the advertising and administrative teams.
  • Advertising copywriter - usually works in a creative partnership with an art director to conceive, develop and produce effective advertisements.
  • Arts administrator - plans and organises events run by a wide range of arts and cultural organisations.
  • Academic librarian, information officer, records manager - responsible for the acquisition, organisation and dissemination of information and materials within the library system or information unit.
  • Charity officer - has responsibility for aspects of marketing, public relations, organising events and finance within charitable organisations.
  • Marketing executive - develops marketing campaigns that promote a product, service or idea. The role includes planning, advertising, public relations, organising events, product development, distribution, sponsorship and research.
  • Programme researcher, broadcasting/film/video - provides support to the producer and production team. Contributes ideas for programmes, sources contacts and contributors and collects, verifies and prepares information for film, television and radio productions.
  • Public relations officer - uses all forms of media and communication to build, maintain and manage the reputation of companies and organisations.
  • Runner, broadcasting/film/video - fetches, carries and does any small jobs needed for the production department of a film, video or television company. This is an entry-level role.

Postgraduate Pathways

You can also continue your studies with one of our postgraduate courses. Alumni receive a 15% discount on postgraduate courses at Chichester.

  • MA Creative Writing
  • MA English Literature
  • PGCE
  • Postgraduate Research (PhD)

Work placements

We run a series of competitive, paid internships for graduates. We’ve had internships at Penguin, Myriad Editions, Chawton House Library, a research centre for 18th century women’s writing, and the international journal Short Fiction in Theory and Practice.

You will also have the opportunity to take our Workplace Module. This allows you to gain experience in, for example, a workplace such as a local newspaper or as a writer-in-residence. You will then use the skills you have learnt on your course in order to reflect critically on the world of work.

Indicative modules

Year One

  • Introduction to English at University: Study Skills
  • Literature Now: Studies in Writing Today
  • Source and Exploration
  • Creating Characters
  • Subverting the Subject, Ideas in Literature from Lacan to Butler
  • Writing the Notebook
  • Interrogating Interpretation, Ideas in Literature from Marx to Barthes
  • Introduction to Writing Poetry
  • Introduction to Writing Short Fiction
  • Creative Non-Fiction: Starting From The Self
  • Contemporary Fiction: War, Women, and the World: Elizabeth Bowen to Alison MacLeod

Year Two

  • Writing Poetry
  • Writing the Short Story
  • Writing for the Stage
  • Writing for TV
  • Creative Non-Fiction: Writing Place
  • Creative Non-Fiction: Life Writing
  • Children’s Writing
  • Genre Study: Poetry
  • Genre Study: Prose
  • Workplace Module
  • Experiments in the Novel: Satire, Sex and Sensibility from Haywood to Bronte
  • Agents of Change: Women’s Writing in 20th & 21st Centuries
  • Renaissance to Restoration
  • Modernism, Magazines and Media
  • Gothic Sensations: From Walpole to Wilkie Collins
  • Reading Poetry: 1500 to the Present
  • World Literatures: Roots & Routes, from Conrad to Afrofuturism
  • Romantics, Rebels, Reactionaries: William Blake to Mary Shelley
  • European Literary Legacy: Writing the City
  • Novel Novels: Experiments in Fiction from George Eliot to Zadie Smith
  • Cool Britannia: British Cultural History

Year Three

  • Writing Place and Environment                     
  • Work Placement 
  • Advanced Poetry                                           
  • Short Story                                                    
  • Digital Writing
  • Flash Fiction                                                  
  • YA Fiction
  • Writing the Novel
  • Fantasy writing
  • Writing for the Screen
  • Contemporary British Fiction
  • Psychoanalysis and Culture
  • Fantasy Literature
  • Literature for Children
  • Victorian Women’s Writing
  • Women’s Writing of the Romantic Era
  • Research Dissertation
  • The Unconscious and Desire, from Freud to Zizek
  • Ethics of Reading: D H Lawrence to Michel Houellebecq
  •  Fantasy and Fairy Tales
  • Gothic Romanticism & Women’s Writing: From Wollstonecraft to Jane Austen
  • Scientific Revolutions: Literature and Science from H. G. Wells to Ian McEwan
  • Unforgettable Corpses: First World War Writing British Culture Wars Employability Module
  • From Graphic Novels to Manga and Back again: New visual writing

International English Studies

Include International English Studies: 

International English Studies

Teaching and assessment

You will be taught in a variety of ways. Our aim is to give you the tools you need to become an autonomous writer and critic. We do this by helping you find out what it is you want to say and by giving you a thorough grounding in a variety of genres and literary periods. Much of our teaching is in small groups. In creative writing modules, you will discuss models of good writing as well as workshopping your own work. In critical modules, you will attend lectures and then work in small seminar groups. Tutors are also available to see students individually.

All creative writing courses are assessed through portfolios of work. The critical courses you take alongside your creative courses will be assessed in a variety of ways including essays, presentations and exams. The Writing Placement module will be assessed through a reflective report.

Modules are assessed at every stage of the course offering cumulative assessment of your progress. Your Academic Advisor and lecturers are available for advice throughout your degree.

Additional Costs

Include Additional Costs: 

Additional Costs

Student Success

The last few years have shown a fabulous flowering of our Creative Writing students' work. We’re very proud to have been the venue for many debut book launches and would like to thank our graduates for returning to share their experience with Chichester’s current Creative Writing students.

The crucible of talent and inspiration on the BA and MA continues to grow through our unique courses with their methods of literary cross-fertilisation and finely developed critique.

In many ways, our student writers create this atmosphere through their collective dedicated approach to workshopping – a process that we teach with precision. The students’ generosity to one another is valued by everybody on the course.

Penelope Bush 

Alice in Time, Penelope Bush’s first novel, began life as part of her dissertation for the Creative Writing MA at the University of Chichester. It was picked up by Piccadilly Press in 2009 and Penelope was offered a three book deal. Alice in Time went to auction in America, sold in eleven countries, has been translated into eight languages and was selected for the Manchester Book Award.                               

Her second book, Diary of a Lottery Winner’s Daughter, has sold in eight countries, was nominated for the Redbridge Children’s Book Award and shortlisted for the Worcestershire Teen Book Award.  Penelope’s third book, Me, Myself, Milly, sold in eight countries and topped the Amazon bestselling children’s book list at number 4.

Melanie Whipman 

Melanie Whipman is an Associate Lecturer and holds a  PhD, MA in Creative Writing and B.A. from the University of Chichester.  She is also Commissioning Editor for The Story Player. Her work has been broadcast on Radio 4 and published in numerous literary magazines and anthologies. Llama Sutra, her debut short story collection, was published last year by Ink Tears Press.  

“I love the challenge and the discipline of crafting a short story. It’s all about compression and lack of waste. But it’s a constant balance. While you’re fighting to put down the best words and the best images, you’re also aware of the need to create space for the reader - to leave things ‘unsaid’. It’s as much about what is happening off the page as on the page.”  www.melaniewhipman.com

Maggie Sawkins 

Maggie Sawkins lives in Portsmouth where she delivers creative writing projects in community and healthcare settings. Her poetry collections include Charcot's Pet (Flarestack), The Zig Zag Woman (Two Ravens Press) and Zones of Avoidance (Cinnamon Press).  She holds an MA with Distinction in Creative Writing from the University of Chichester and won the 2013 Ted Hughes Award for New Work in Poetrywww.zonesofavoidance.wordpress.com

Josephine Corcoran 

Josephine Corcoran graduated from the University of Chichester (English with Media Studies) in 1996 before studying for an MA in Creative Writing at UEA. Her work as a playwright and short story writer has been published, broadcast on BBC Radio 4 and performed on stage.  In 2014, the small press tall-lighthouse published her pamphlet 'The Misplaced House', and What Are You After?, published by Nine Arches Press in June 2018, is her first full collection of poetry. Josephine says that she mentions the University of Chichester in all of her publications because the teaching she received there was instrumental in starting her writing career. 

Isabel Ashdown

Isabel completed her MA in Creative Writing with us in 2010. While on the MA, she worked on her first novel, Glasshopper, which was published by Myriad Editions in 2009. Glasshopper went on to be named among the best books of 2009 by both the Observer and The Evening Standard. Since then she has published four more novels. The latest, Little Sister, is a psychological thriller published by Trapeze, an imprint of Orion publishing. Isabel is represented by Kate Shaw of The Viney Agency.

Isabel’s website can be found at isabelashdown.com

Emma-Jane Hughes

Emma-Jane Hughes was brought up between the sublime of a barge on the River Thames and the ridiculous of an all-girls boarding school. She spent her childhood tucked in the cabins of a variety of small boats, reading, impervious to the scenery. Emma currently lives in Chichester with her husband and children. She teaches English and Creative Writing at the University of Chichester, where she is working on her PhD in Contemporary Poetry. 

She first pitched the idea for her debut poetry collection, The Mechanics of Love, to Cinnamon Press in a special publishing initiative created for our Creative Writing students by the our staff team.  "The opportunity to pitch to Cinnamon Press was equal parts daunting and electrifying.  Somehow, above the thundering of my heart, Jan and Adam were able to hear a concise explanation of the inspiration and central ideas behind the poetry collection.”

Senior Lecturer in Creative Writing Karen Stevens adds that she was delighted to work with Cinnamon Press, which has been the fastest-growing small press for several years. "Cinnamon’s list fills fast," notes Karen, "publishing slots are rare, and eagerly sought after - so we were thrilled to launch this joint venture, which proved a great experience for all our talented writers who entered."

Donna Kirstein

Donna Kirstein’s debut poetry collection, Borderlands (Cinnamon Press), was published in 2017.  She first pitched the idea for the collection to Cinnamon Press in a special publishing initiative created for our Creative Writing students by the our staff team.  In Donna’s words, "pitching was an incredible opportunity," but, like all the other competitors, she was given only ten minutes to convey the heart of her book to the Press’ director Jan Fortune and Communications Director Adam Craig. 

 "Initially, I was nervous," said  Donna, "but I had convinced myself that all the other excellent writers would be more deserving, and so I walked into the room with less trepidation than I might have otherwise done.  Afterwards I coached myself to not get too excited - when I got the call, I was taken aback and got a little emotional, I hadn’t realised quite how pleased I would feel.  The publishers were very supportive, positive and patient throughout, and Adam’s feedback and edits were really useful. The first time I saw the cover and held the actual book in my hands it was an incredible feeling of accomplishment - now it feels like the hard part really begins, where I need to concentrate on carrying on with new work."

 Donna was born in Poole, England but grew up in land-locked Zimbabwe where she fell in love with words and wide-open horizons.  Currently she lives in Worthing where for the first time in her life she can watch the tides turn along the seashore.  Donna has been writing since childhood and earned an MA in Creative Writing with Distinction from the University of Chichester.  She is a poet and short story writer.  She spends her days employed as a graphic designer and photographer.  Her stories have appeared in anthologies published by Weaver Press in Zimbabwe.

 

Zoe Gilbert

Zoe Gilbert's first novel, Folk, was published to wide acclaim by Bloomsbury in February 2018. She is currently completing a PhD in Creative Writing at the University of Chichester, focusing on folk tales in contemporary short stories. Her own stories have been published in anthologies from Comma Press and Cinnamon press, and in journals worldwide including Mechanics’ Institute Review and The Stinging Fly. Her work has won prizes, including the Costa Short Story Award.

She teaches and mentors creative writers at London Lit Lab, and for organisations including the British Library and Arvon Foundation. She says that the Ph.D in Creative Writing has allowed her to delve into research on a range of fascinating topics. “Despite all the writing ‘rules’, you basically begin afresh with each story,” said Zoe. “There is no blueprint for your first draft.  Stories written to a tight plan rarely sing. A principle I apply to a lot of things: be bold, be bold, but not too bold!”

Laura Pearson

Laura Pearson lives in Leicestershire. Her blog (breastcancerandbaby.com) is about her experiences of being diagnosed with breast cancer during her second pregnancy. Missing Pieces, published by Agora Books on 21 June 2018, is her first novel.