Lab for Self-Efficacy, Performance and Agency (LSPA)
The Lab for Self-Efficacy, Performance, and Agency focuses on links between self-belief, agency, and perceived relationships between internal and external processes.
The lab specifically aims to further understand the interaction between cognition, metacognition, and aspects of the self as seen through performed tasks across domains. Both quantitative and qualitative research are embraced.
For more information about the lab please contact Dr Laura Ritchie on firstname.lastname@example.org.
Other members of LSPA include:
- Andre DaSilva (PhD student investigating cancer patients and singing)
- Christine Tokatlian (PhD student and lecturer at the American College in Athens, Greece investigating identity in Armenian pianists)
- Matt Welsh (PhD student and research assistant).
Seeing interactions of self-efficacy, personality, and cognition on task performance with eye tracking
Laura Ritchie & Benjamin Sharpe, assisted by research assistant Matt Welsh
This study considers the influence of cognition and perception (of self) on self-efficacy and how cognition and self-efficacy interrelate with metacognition, aspects of personality, and relate to task performance.
Physiological data is collected using a TobiiPro2 mobile eye tracker to explore the relationships of an individual’s self-beliefs, cognitive processing, and their actions.
Self-efficacy and metacognition are measured through a combination of physical responses to performed tasks recorded with an eye tracker, quantitative questionnaire data, and qualitative self-reports.
Performed tasks include musical and physical (sport) performance. The full background and methods can be read on the OSF Wiki. This is a pre-registered project.
Studying a musician’s learning: Eye Tracking, psychology, and the brain
Laura Ritchie & Benjamin Sharpe
This study explores how a musician learns a completely new piece of music, from the first reading to performance.
Learning music has been studied via self-report and via observation, but this study uses physiological measures to support and supplement the musician’s reported experience. The equipment also allows connections between neurology and psychology to be demonstrated.
The participant wears TobiiPro2 eye tracking glasses, which are initially calibrated by a researcher. The eye tracker video records what the participant sees during the study, and a separate video camera placed in the room will record the entire experimental session.
The participant also engages with a talk aloud protocol throughout the performed session. Data from the participant and the eye-tracking glasses are collected across several weeks, as the performer learns the music.
Goals and Self-Efficacy Beliefs During the Initial COVID-19 Lockdown: A Mixed Methods Analysis
Laura Ritchie, Daniel Cervone, Benjamin Sharpe
This study aimed to capture how the coronavirus disease 2019 (COVID-19) crisis disrupted and affected individuals’ goal pursuits and self-efficacy beliefs early during the lockdown phase of COVID-19.
- Ritchie, L. (In Press). Multisensory music performance with cymatic images. Music & Science. Special Collection on Contemporary Auditory Ecosystems and Innovative Musical Contexts: Insights into the Aesthetics and Perception of Sonorous Objects.
- Ritchie, L., & Sharpe, B. T. (2022). Validation and Validity: Self-Efficacy, Metacognition, and Knowledge-and-Appraisal Personality Architecture (KAPA). Psychology, 13(10), 1474-1503. https://www.scirp.org/journal/paperinformation.aspx?paperid=120212
- Ritchie, L., & Sharpe, B. T. (2021). Music student’s approach to the forced use of remote performance assessments. Frontiers in Psychology, 12, 641667. https://www.frontiersin.org/articles/10.3389/fpsyg.2021.641667/full
- Ritchie, L., Cervone, D., & Sharpe, B. T. (2021). Goals and self-efficacy beliefs during the initial COVID-19 lockdown: A mixed methods analysis. Frontiers in Psychology, 11, 559114. https://www.frontiersin.org/articles/10.3389/fpsyg.2020.559114/full