Course Modules

The dissertation is the culmination of your postgraduate study. You will develop a substantial dance research project of your choice. You can choose to include a varying amount of dance practice alongside written critical commentary.

This module examines and explores subjective perspectives as a way of examining practice. You will use a range of theoretical principles, embodied and methodological approaches and qualitative methods to place knowledge in the context of your existing practice. the module

In this module, you are introduced to a variety of improvisational methodologies and approaches. Taught sessions offer a practical and historic overview, drawing on key postmodern and current improvisational dance artists and touching on aspects of contact improvisation. Sessions focus

Through a combination of lectures, seminars and practical tasks, you will analyse, deconstruct and reconstruct technical exercises and phrases in order to build a critical base of teaching material. Planning, phrase construction and giving corrections will be explored in the

In this module, you will explore theories and practices of motor learning and control. Specific topics will cover include: organisation of motor control, perception, anticipation, instructional strategies, conditions of practice, attention and feedback. The intersection of somatically informed approaches to

This module aims to develop and strengthen contemporary dance understanding and performance through regular attendance and practice in a variety of dance technique classes. Daily classes allow you to develop and refine technical skills through reflective practice directed toward performance

This module supports you to become an agent of change within your workplace. You will consider theoretical frameworks that have a clear focus on the place of practitioner research as a tool for improving practice.

The dissertation is the culmination of your postgraduate study. You will develop a substantial dance research project of your choice. You can choose to include a varying amount of dance practice alongside written critical commentary.

Through a combination of lectures, seminars and practical tasks, you will analyse, deconstruct and reconstruct technical exercises and phrases in order to build a critical base of teaching material. Planning, phrase construction and giving corrections will be explored in the

In this module, you will analyse a wide range of dance practices: historical and contemporary, popular and ‘high art’, Western and non-Western. You will consider these in relation to 20th and 21st-century debates about the politics of the body, for