Course Modules

This module will offer you the opportunity to explore the ways in which contemporary writers and critics engage with images, issues and concepts of the environment in novels, poetry and non-fiction. You will choose whether you wish to engage with […]

This module introduces you to the versatile genre of creative non-fiction, in which writers employ skills transported from fiction to lend dramatic complexity to factual narratives. Using autobiographical material as a base, you will generate dramatic scenes on a variety

This module explores the relationship between faith and reason. When are beliefs justified? Are some beliefs beyond rational explanation? Why do people hold such beliefs? What cultural assumptions inform the way that we think about belief, reason and God?

This module will build on skills and techniques acquired throughout your first semester, such as: concrete imagery writerly research notebook gatherings reflections on developing creative work. You will encounter a variety of forms and voices in a range of examples

This module will introduce you to the historical study of religion and ethics and you’ll investigate the important contemporary question of the relationship between religion, ethics and violence.

The module will train your observation skills. You will learn to apply the world around you to inform your creative processes. You will also learn the value of the ‘concrete’ as opposed to the ‘abstract’ and discover how the ordinary

The module investigates different understandings of human nature. What makes humanity distinct? Are we rational animals? Do we have souls? What is the relationship between thinking and our embodied existence? We will explore a range of understandings with particular attention

On this module, you will harness the skills developed in non-fiction modules in year one and year two to engage with new possibilities in digital writing, including: blogs games websites online journalism Twitter/Tumblr/Facebook texts podcasts comments forums campaigns hypertext and

The Dissertation in Creative Writing gives students the opportunity to work independently on an imaginative writing project of their own choosing. This may take the form of a fiction project, a poetry project, a play or screenwriting project or a

The dissertation represents the culmination of your History studies as you complete an individual research project on a topic of your choosing. The 10,500-word thesis will include explicit methodological and historiographical dimensions and where appropriate, theoretical discussions integrated into the