Course Modules

This module explores the idea of the subversion of the subject, our idea of the individual, across a range of ways of thinking about literature. Ranging from the 1970s to the present, we will examine how ideas of the unconscious, […]

The course traces the origin of ideas in literature through three key thinkers: Karl Marx, Sigmund Freud and the linguist Ferdinand de Saussure. These thinkers will introduce you to the notion that our language is crucial to the way the

This module will enable you to explore, as active writers and readers, the strategies, innovations and preoccupations of contemporary writers of the short story. You will read and analyse the craft, technique and rigour of three to four highly regarded

This module will offer you the opportunity to explore the ways in which contemporary writers and critics engage with images, issues and concepts of the environment in novels, poetry and non-fiction. You will choose whether you wish to engage with

‘Flash Fiction’ is an exciting new way of telling stories. By composing their own portfolio of very short fiction, you will be challenged to see the form from the inside, and to focus upon the creative challenges that are unique

This module will examine literary products of the First World War, the methods by which the authors reproduced, described and fictionalised their experiences. The second half of the module will also consider the use of First World War tropes in

This module offers you the opportunity to develop your creative skills within genres that focus on worlds that lie beyond the tradition realm of ‘realism’. These forms of ‘Beyond Realist’ texts have a distinguished pedigree stretching back to humanity’s earliest

On this module, you will write the first chapter of a contemporary novel, deepening skills gained on short fiction modules in Years 1 and 2. Having acquired skills in narrative, imagery, characterisation and theme, you will now be encouraged to

The dissertation represents the culmination of your development as a writer. The Dissertation in Creative Writing may take the form of a fiction project, a poetry project, a play or screenwriting project, a creative non-fiction project or, subject to a

Gain an informed historical and critical perspective on a powerful literary and cultural tradition beginning with the fairy tales written in early modern Italy, continuing through Perrault, D’Aulnoy, Grimm, Andersen to the work of more contemporary authors such as Angela